Art paintings were done even when cave paintings and murals were made. With time, the subject of art painting got a boost. Experimentations became the order of the day. Different materials or surfaces and different color combinations marked the painting turf of different centuries.

Oil paintings had caught the imagination of painters even in the pre-renaissance era. Making these paintings through a pigment tied to the dry oil medium was in itself a revelation then. These art paintings were largely practiced on canvas; though paper, wood, papyrus, vellum was also heard of. It used the boiled mixture of linseed and resin or frankincense to create the painting varnish. Such varnish or oil helped with the paintings.

Oil paintings gave a lot of importance to layering. The under layers were made with turpentine oil and on top of that many distinctive layers of oil paints were used to provide with the necessary contours. It used hog’s bristle for bold shots and Squirrel’s fur for mild brush strokes. We are talking about the brushes here.

Watercolor paintings also had its fair share of glory and is still running well. Art paintings that evolved through the use of watercolors found its feet largely in the post renaissance time. It used pigments which are dissoluble in water solvent vehicle. Watercolor paintings are largely done on paper. With the invention of far many compact combinations of colors, even the paper has become wove paper today. Today the water colors come in metal tubes or dried depressed cakes.

Europe denied the revolution its impetus when it started using aniline dyes in bright-colored medium. This got duly exposed in sunlight and left the surface. This had caused quite a stir and subsequent downfall of watercolor paintings.

Another genre of art paintings were the abstract paintings. These were the most contorted but the freest expressions of the subconscious. Any defined image using visual dynamics as an illusion for visual reality marked such paintings. These art paintings did not draw any inspiration from real world whatsoever. Abstract paintings got the necessary fillip through George Braque and Pablo Picasso when they came with the Baroque movement and Cubism respectively.

Few of the masters who have envisaged and equally implemented art paintings are:

Cubism- he came up with Cubism and defined the world from a vantage point as conceived by the painter and not as perceived by him.

Impressionism- Paul Cezanne’s movement was ably taken by Renoir. It dealt with pointed images; pointed staircases leading towards pointed houses. Such pointed; peaked houses have been psychologically inferred as being the result of years of Nazi oppression.

Dali’s Surrealism and other art paintings that evolved out of Impressionism and romanticism were equally brilliant and still hold value.

A paintbrush is certainly the most commonly used tool in oil painting. Most people who are knowledgeable about oil painting will agree that palette knives have for long been the traditional oil paint mixing tool. It is indeed a fact that palette knives are ideally suited for creating smooth, consistent mixtures of paint with the medium. At the same time, there is no denying that there is a host of oil painters who go beyond the palette with their knives, straight to the painting surface.

These knives are available in a variety of shapes and sizes and even made in plastic. As all of us are aware, for mixing purposes, just one traditional shape or size might do. But applying paint calls for a range of palette knives to choose from like choosing a set of brushes. When you are attempting to paint with palette knives, experiment with different shapes and sizes to see what produces the best effects. It is generally believed that smaller and thinner knives are ideal for lining, and the bigger ones are more suited for loading on the paint.

There are people who are fond of using stencils into their painting work = particularly when the subject demands a repetitive effect. There are ready-made stencils available in the market or you can make your own with the aid of a stencil kit. But you must take care to use the proper materials or else, the desired results cannot be achieved.

All professional painters will agree that stenciling is not a traditional oil painting method. This is one reason why there are hardly any tutorials. Professional will insist you should still keep in mind the fundamentals of the medium – what is generally known as ‘fat over lean’. It is obvious that very thin paint will bleed around the edges, so it might be necessary to wait until one of the thicker layers of your painting. But it is a fact that stenciling in one of the under layers gives a great effect. However, it is advisable to experiment to find a solution that will fit your needs.

You will soon find rags, sponges and even your own fingers as excellent alternate tools when it comes to oil painting. Professional oil painters claim that it is possible one could create an entire oil painting using rags and/or sponges and without the aid of paint brushes. Sometimes the background color of the painting can be effectively done using just one’s own fingers. Of course, the basic ‘fat over lean rule’ always applies, so bear that in mind when experimenting in any innovative methods.

However, one should exercise caution when painting with your fingers or any other part of your body. You must make sure that the oil color and solvents do not absorb into your skin and then into your bloodstream. This could lead to health problems.