With the dry brush technique, your paper is completely dry. You then apply a fairly dry pigment with very little water to the paper. The dry brush technique should only be used where you want to draw focus or create texture in your painting. It’s always a good idea to use various watercolor brush techniques in a single painting. This results in a more interesting painting. The glazing technique is when you apply a thin transparent color over a completed dry layer of color. This technique creates some very interesting blends of new color. You will need to use a non-staining, transparent color for this watercolor technique. You should use a soft brush and don’t apply that much pressure. Wet in wet is simply applying a wet wash over a wet surface. You start by evenly wetting the paper with a brush or spray bottle. Have a sponge handy to absorb any excess water. You want your paper to be evenly saturated. Then apply your watercolor.

“Glazing” is a technique similar to a wash, but instead of application to a wet surface a thin layer of pigment is applied to a dry surface over washes that already exist. It is used to adjust tone and color on a wash, and it is applied in layers until the desired affect is reached. Just be sure that each layer is dry before applying the next layer. Auroline, cobalt blue and permanent rose are good transparent pigments to glaze with. The “wet in wet” is a technique where you fill your brush with a very wet pigment that is then applied to a wet paper. It can be applied on top of existing washes that have dried. Just dampen these areas with a large brush. This technique provides soft subtle marks that are great for background areas. The “dry brush” is opposite to the “wet in wet” technique. The brush is filled with pigment with the use of minimal water and then it is dragged across the dry paper, producing a very crisp mark with a hard edge. It is an excellent technique for front work and points of interest. “Lifting off” is an interesting technique where the pigment is dissolved and lifted off after it has dried. Just wet the area you want to lift and then use a tissue to blot the pigment off. Reds, yellows, and blues can be more difficult to lift.

We know that the “white of the paper” is important. It creates the very light in the painting. White can easily get lost and once it is lost, it is hard to get back. Watercolor paints and paper have minds of their own – that quality of “happy accidents” is what makes this medium so much fun! (But also so difficult, some say the hardest, to master.)
A lot of artists will never use masking and others swear by it. Anything goes and whatever works for you to create the painting you want is okay. Experiment with all sorts of masking aids to find what works best for you.

Watercolor is a type of paint made from pigments mixed with a water-soluble binder, such as gum arabic. Watercolor paints can be bought in tubes or pans (small blocks). It is one of the most dynamic mediums available to the artist. Watercolors are great for outdoor painting because of their quick drying nature and ease of use and watercolor painting offers a wide range of varieties and consistencies.

Watercolor techniques have the reputation of being quite demanding, although they are actually no more demanding than those used with other media. In the 17th and 18th centuries, ink, pen and watercolor tints were common mapmaking tools, portable and convenient to use outdoors and in remote locations. At the beginning of the 18th century, the topographical watercolor was primarily used as an objective record of an actual place in an era before photography. It was also a popular choice for landscape painting. Watercolors have moved from mapmaking to the mainstream in the past 300 years. Now, watercolor painting can be enjoyed by people of all ages and abilities.

Painting in watercolor is one of the most popular mediums for aspiring artists, yet there are many pitfalls that can snare the beginner. Painting in watercolor is fun when you can find new opportunities for personal discovery, expression, and invention. Painting or drawing while traveling always makes the experience more rewarding, satisfying, and unforgettable. Professional watercolor paper is the basis for getting beautiful watercolor paintings, so remember this when selecting your watercolor paper. The better the paper, the better the painting.

Watercolor is not just for mapmaking anymore. Watercolor painting is enjoyed by people of all ages and abilities. My first memory of painting is using dime store watercolor paints in a metal tin. Although not the best quality, it introduced me to the watery, transparent color of this type of paint. Later in life, I learned to use these transparent pigments to create works of art. If you are considering getting started in painting, you may want to consider watercolors as your medium of choice.